“Palace of the Peacock”, Moko Somõkõw, Trinidad and Tobago, 2019
Adrian Young, Touch D Sky, 2017
The Honeybees, Traditional Masquerade, Nevis
La Plaine Bann Mové, Pointe Michel, Dominica
Vieux Corps, Victoria, Grenada
Traditional Masquerade, Montserrat
Jab Molassie, aka "Blue Devil", Trinidad and Tobago. Portrayed by Ashton Fournillier
Jab Jabs, Grenada
The Original Whip Masters, Trinidad and Tobago
Shynel Brizan, Moko Somõkõw
Belmont Exotic Stylish Sailors, Trinidad and Tobago
Kongo Dey, Vulgar Fraction, Trinidad and Tobago
Short Knee, Grenada
Fancy Sailor detail, Trinidad and Tobago
Trinidad All Stars Sailors
“Carnival is the great, grand anthem to ourselves that has walked through the ashes of everything.”
Shivanee Ramlochan, In a World of Their Own: Carnival Dreamers and Makers, Photographs by Maria Nunes.
Once I began to photograph Carnival heritage in Trinidad in 2007 there was no turning back. It changed my life. I could feel and see how much of our history was embedded in the movements and sounds of the mas. As someone who taught history for 10 years I realised mas offered a whole new way of “reading” history - the images are whole stories in themselves. I came to understand mas as a living archive of what our ancestors embedded into form, gesture, movement, sound. The camera enters into this dynamic as both observer and participant. The photographic act becomes not only witness, but active agent.
These images are an overview of the expansion of this work beyond Trinidad to Guadeloupe, Grenada, Dominica, Montserrat and Nevis.

